Loots founded FLATFOOT DANCE COMPANY as a professional dance company in 2003 when it grew out of a dance training programme that originally began in 1995. As the artistic director and resident choreographer for FLATFOOT DANCE COMPANY, she has won numerous national choreographic awards and commissions including the FNB VITA award for choreography (2002) and the KZN DanceLink award for choreography in 2007.
In 2012 she received the prestigious KZN DanceLink Dance Writer/Critic award.
She has been an invited guest choreographer for companies including SIWELA SONKE DANCE THEATRE and the FANTASTIC FLYING FISH DANCE COMPANY, and has taught dance technique and choreography to students in many dance programmes, dance education departments, and companies all over the globe – some of these include, Nigeria, Sweden, Denmark, Holland, India, Cameroon, Zimbabwe and Mali.
Most recently (in
2013) Loots and FLATFOOT DANCE COMPANY set up a 3 year (and on-going)
partnership with the Chicago-based DEEPLY ROOTED DANCE THEATRE which has seen
DRDT perform with FLATFOOT at JOMBA! 2013 and 2015, and has seen Loots and some
of the FLATFOOT company travel to Chicago in 2014 to create joint work and
continue a shared dance education vision of using dance for social change.
Loots’s seminal work, “BLOODLINES”, opened the prestigious 2011 Dance Umbrella in Johannesburg and then traveled onto the Harare International Festival of the Arts in Zimbabwe (HIFA), in May 2011. Loots’s 2010 work “BHAKTI”, her first collaboration with veteran maskanda musician, Madala Kunene, won a prestigious OVATION AWARD at the 2011 National Arts Festival. This work has gone on to be restaged in a partnership with the Playhouse Company at the “20 Years of Democracy” season in November 2014.
Loots’s belief in dance education as a tool for profound social change has seen FLATFOOT use dance and arts as a mechanism of dealing with Gender Based Violence, HIV and AIDS and for environmental education.
FLATFOOT is globally considered a company spearheading new ways of thinking about dance and education within a Southern context.
Loots is also the dance lecturer in the Drama and Performance Studies Programme on the University of KwaZulu-Natal (Durban) campus. She has a master’s degree in Gender Studies and is presently pursuing her PhD in African contemporary dance performance. She is also delighted to hold the founding position of Artistic Director for the Centre for Creative Arts’s annual JOMBA! Contemporary Dance Experience.
Sifiso began his dance performance career in 1998 with UKUSA ARTS PROGRAMME. In 1999 he went to work with the French company called Cie Jean Francois Duroure in a production called ''What are you doing here?'' which toured Belgium, France, Germany, Holland and many east-central countries in Africa. In 2001 he joined Phenduka Dance Theatre's training progamme and after completing the training in 2005 set off to join the internationally acclaimed African Footprint in their season run at Sibaya Casino (which also went on to tour to Morocco and India). In 2006 he joined FLATFOOT DANCE COMPANY and has performed intensively with the company ever since working in not only Lliane Loots’s works but also with guest choreographers to the company, which include Sifiso Kweyama (South Africa), Daniel Renner (Holland/Austria), and Adedayo Liadi (Nigeria). He also completed a graduate course, Dance in Education, at the University of KwaZulu Natal (Durban) in 2007.
Within FLATFOOT, Sifiso is currently working as a facilitator and dance teacher in the company’s dance development project in KwaMashu (Siyakhula Dance Project). He also co-facilitates the FLATFOOT disability dance programme in partnership with the Open Air School here in Durban (LeftFeetFirst). In 2005 Sifiso formed a youth dance project called The Young Ones Arts Project in Clermont KwaDabeka Sub5 – a project which he continues to run and facilitate outside of FLATFOOT DANCE COMPANY.
His growing list of choreographic works include, amongst
others, Giyani Lusha! 2009 and 2010, a youth ensemble hosted by KZN DanceLink,
''Harsh Hush My Soul'' for DUT's dance drama season called ''Rejected Angels''
in 2009. ''Zakubuyiswa ngubani na?'' (Who will bring them back?) with FLATFOOT
DANCE COMPANY's season called
''Six'' in 2008. In 2012, Khumalo was commissioned by the company to create the
acclaimed “UTALAGU/HORIZON” for the
six resident dancers of FLATFOOT DANCE COMPANY. Khumalo also continues to participate in Boyzie
Cekwana (South Africa) and Faustin Linyekula’s (Democratic Republic of Congo)
continental dance residency that has seen him work in most recently in both Kenya and Ireland.
Jabu joined FLATFOOT DANCE COMPANY in February 2007. She received her training through Phenduka Dance Theatre’s trainee /training programme, and also spent some time as a senior member of Phenduka Dance Theatre, performing extensively with the company in such seasons as Holes in the Heart which was performed in Durban, Cape Town and Johannesburg, Umhlahlo which was also performed in Durban and Cape Town, “Paradise Changing” which was performed in Cape Town as a collaboration between Phenduka Dance Theatre and Jazzart Dance Theatre (choreography by Leverne Botha).
Having completed a graduate course in Dance Education at UKZN in 2007, Jabu assists with facilitation on FLATFOOT’s Dance Development projects in KwaMashu (Siyakhula), Umlazi (Dudlu Ntombi) and in Waterloo (Waterloo Dance Project).
She won first place in choreography for The National Creative Arts Youth Festival in KwaZulu Natal in the group dance competition in 2009.
In 2010 she joined FLATFOOT in Cameroon performing at a festival called Abok I Ngoma. That same year, she travelled with the company to Holland on a performance and teaching exchange with Introdans in Arnhem. In January 2011, Jabu and her FLATFOOT Siyakhula Dance Project were invited to be part of a cultural exchange in Zimbabwe by the youth arts organisation, Chipawo.
Jabu took a one sabbatical from FLATFOOT over 2012 where she worked with Gregory Maqoma and his Johannesburg-based Vuyani Dance Theatre. She returned full-time with the company from January 2013. Jabu continues to participate in Boyzie Cekwana (South Africa) and Faustin Linyekula’s (Democratic Republic of Congo) continental dance residency that has seen her work most recently in Kenya and Ireland.
Zinhle gained her primary dance training with Phenduka Dance Theatre between 2005 and 2007, after which she decided to study further to obtain her Bachelor of Education through UNISA - she recently graduated with her BEd in June 2016.
She funded her studies by dancing in all
sorts of corporate gigs some of which include prestigious events like COP 17
and the 2010 FIFA World Cup closing ceremony. She has also been a guest dancer
with companies like Siwela Sonke Dance
Theatre, and Nateshwar Dance Company. Having also guested with FLATFOOT having toured with them to the Grahamstown National Arts Festival when they performed Loots's acclaimed "Mapping Nostalgia" on the Arena Platform in
Her love (and gift) for teaching has seen her teach the dance module in the UKUSA Arts Programme, and she has also taught within some of FLATFOOT’s dance education and development programmes.
Zinhle joined FLATFOOT full time at the beginning
of 2015 and brought and incredible and
vital energy to the company that resonated with her symbiotic love of
performance and teaching. She is a valued member of the professional company
and co-facilitates the FLATFOOT programmes in Newlines (Newlands Dance Project), and in Umlazi (Dudlu Ntombi). Zinhle continues to grow her choreographic
skills with on-going support and work with the FLATFOOT Training Company.
Clare was introduced to FLATFOOT DANCE COMPANY as a student, whilst studying towards her BSocSc at the former UND, in 1999. In 2003, when the company received its first national funding from the National Arts Council and launched itself professionally, she joined the company in the role of ‘Company Manager’ and has been with the company ever since. She holds a Masters of Arts degree in Drama and Performance Studies (specialising in dance) from the University of KwaZulu-Natal; FLATFOOT DANCE COMPANY’s current home.
In 2015 she was awarded the Abalolongi Award at the KZN DanceLink Awards, for her dedication to dance and dance-related work in KwaZulu-Natal.
From 2015-2016 she took on the position of Head of Live Performance at AFDA, currently she works freelance across various academic institutions in KZN including Embury College, Durban University of Technology and University of Kwa-Zulu Natal. She also works freelance as theatre crew on various productions housed at Durban's Elizabeth Sneddon Theatre. Despite the demands of this dedicated work , her administration and clarity of thinking remain one of FLATFOOT’s key success areas.
Her professional dance-related working career began in 2002 when she worked as Stage Manager to Durban-based Siwela Sonke Dance Theatre. Since then she has worked with, alongside FLATFOOT DANCE COMPANY, Phenduka Dance Theatre and The Fantastic Flying Fish Dance Company (as a stage/production manager/technician/crew). Between 2007 - 2014, Clare also acted as the festival manager to the prestigious Durban-based Jomba! Contemporary Dance Experience. Recently she took on the role of facilitating the Jomba! Writing Residency.
Clare has frequently also
been a teacher, choreographer and dance educator in FLATFOOT’s dance development
programmes in both urban and rural KZN. She is also a gifted digital designer
and is responsible for all of FLATFOOT’s posters, flyers and print